Once the songs are in the Playlist, double click the song to play it, then click the record button at the lower left hand corner of Realplayer to record it. If your Playlist is not open, open it by clicking the Playlist icon at the lower right hand corner of RealPlayer. RealPlayer is a free media player you can download at Using RealPlayer to view this webpage, click the VBR M3U link to open the songs in the Playlist. The IA recommends users of Windows XP view this web-page with RealPlayer. Windows Media Player has a 10 band EQ and SRS WOW effects that enhance the sound. I also recommend using your EQ during playback of most of the shows on the IA, this one included. I highly recommend adding this Seattle show to your 1973 GRATEFUL DEAD collection. Not a NYC crowd, but for a bunch of hicks from Seattle, they make some noise and generate some energy to get things goin'. I think these matrix shows are a lot of fun and are much more enjoyable when they are loud or listened to in headphones.ġ973, a new direction into the unknown.Pigpen's blues influences are missing, but the GRATEFUL DEAD keep on truckin', if that's whatcha call it. There are also various anomalies at points, and miniscule cuts.ģ) There are small cuts in the SBD and AUD at the McGee > Other One transition, leaving a moment of the show wonder what the percentage of audience mix to soundboard mix is? Garcia's guitar, for instance, will shift from the right channel to the left channel in the SBD. Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC)Ģ) There are occasional, quick shifts in the SBD mix. To Donn Amick for recording this beautiful, stellar show,Īnd to Noah Weiner for the great AUD transfer. Soundforge (wav edits and track IDs) > SHNTOOL (SBE fix) > MKW (shn) Reel playback on Pioneer RT-701 > Teac AN-180 Dolby decoder >įostex D5 DAT (A>D only) > Turtle Beach Montego II Digital I/O >
Row > TC-126 master cassette > Amick's Reel recorded at 7-1/2ips >
Recorded by Donn Amick, FOB, Sony EMC mics spread out across the
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